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5 | The Bass Strings

Kojo no Tsuki (荒城の月)

Peter Kun Frary


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In this chapter we continue working on the guitar's fifth string and tackle a new piece, Kojo no Tsuki (荒城の月).

Japanese Women Playing Koto and Biwa | Metropolitan Museum of Art

koto & biwa


moon icon Lunar Musings

Rentaro Taki (1879-1903) wrote Kojo no Tsuki (荒城の月), Moon over Ruined Castle, in 1901. Oka Castle in Taketa, Oita Prefecture, was his inspiration for Kojo no Tsuki.

Kojo no Tsuki was originally published in a songbook for junior high students. Kojo no Tsuki quickly transcended its pedagogical purpose and achieved popularity in Japan and, eventually, the world. This humble children's song was featured in movie soundtracks and recorded by numerous Japanese and Western artists such as Thelonious Monk, Yngwie Malmsteen, and the Scorpions.

Taki contracted tuberculosis while studying at Leipzig Conservatory in Germany, and died tragically young at 23. Ironically, the folkloric style of Kojo no Tsuki led many to assume it was a folk song and neglected to credit Taki as the composer.

A translation of the first verse reads:

Cherry blossoms gracefully bloom over the fields that lie,

High up is the castle wall, where have warriors gone?

Where is the moonlight that brightly shone up high,

Shone upon the warriors who drained the glasses dry?


Himeji Castle icon Study Tips

moon icon Melody

Kojo no Tsuki's melody is simple and straightforward. Like Aura Lee and Arirang, Kojo no Tsuki has four closely related phrases. Learn the first phrase (first line) and you'll find the second and fourth phrases to be nearly identical save for small differences at the cadence. Give special attention to the dotted quarter note and eighth note rhythm near the ends of phrases.

left hand icon Right-Hand Fingering

Use the right-hand thumb to pluck the fourth and fifth strings. When the melody crosses over into the third and second strings, switch to alternating between the middle and index fingers (m-i). Aim for an andante tempo, about 100 BPM.

listening Listen to the Track

Before practicing, become familiar with the sound and feel of Kojo no Tsuki by listening to the melody.



Kojo no Tsuki | Melody only




lute player icon Play the Melody Now!

Practice the melody of Kojo no Tsuki until smooth. After the melody flows nicely, play along with the audio track or video.


kojo no tsuki



Once the melody of Kojo no Tsuki is under your fingers, begin working on the chords.


chord iconKojo Chords

The harmonic rhythm of Kojo no Tsuki is predominantly one chord per measure. Thus, chord transitions should be easy, especially since you already know all the chords. If you prefer strumming, we suggest using the Down 2X Strum: a down strum on beat one and beat three.


arpeggio icon P-i-m-a 2X Arpeggio

An arpeggio accompaniment also complements the slow and lyrical melody of Kojo no Tsuki well. The suggested accompaniment pattern is P-i-m-a 2X, a pattern we studied earlier in the course. If you need a review of P-i-m-a 2X, revisit the video demonstration for Andante Op. 31 No. 4.


P-i-m-a 2X Arpeggio Pattern | Practice on the open strings first.

aura_lee_pima

This pattern is played twice in a measure of 4/4 meter, creating an eighth note flow. Let's take a peek at P-i-m-a 2X sounds within the context of our new piece:


P-i-m-a 2X Arpeggio | Chords with P-i-m-a 2X from Kojo no Tsuki's first line.

pima2x


P-i-m-a 2X and the Down 2X Strum—two strums per measure—also work well mixed together.

moon icon Melody and Chords Together

As usual, I'm freestylin' the accompaniment so only bits and pieces of P-i-m-a 2X break through here and there.


Kojo no Tsuki (荒城の月) | Melody and chords | Frary Guitar Duo



Kojo no Tsuki | Melody and chords




kojo no tsuki


pdf icon

Download | Kojo no Tsuki PDF


left hand icon Sore Left-Hand Fingers?

Suffering with string buzzes or sore left-hand fingers? Watch this video for tips on improving finger placement accuracy and reducing soreness.

The Buzz Threshold | Finger pressure and placement on the guitar.


review icon Daily Review

Leave time in your daily practice sessions to review prior materials. Most pieces take weeks to fully absorb and polish. Don't leave your music half learned.

Woman Playing Koto (c.1878) | Settei Hasegawa |  Library of Congress

Lady_playing_koto


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©Copyright 2024 by Peter Kun Frary | All Rights Reserved

Preface
Technique
Music Reading
Treble Strings
Accidentals
Bass Strings
Solos
Ensembles