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Canon EF-S 17-85 4.0-5.6 IS USM
Old School EF-S Zoom Redux
Peter
Kun Frary
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The Canon EF-S 17-85 4.0-5.6 IS USM is a first generation EF-S design, released Fall 2004 with the groundbreaking EOS 20D. It's designed for APS-C (EF-s mount) cameras, e.g., 80D and Digital Rebels. Full-frame DSLRs such as the 5D MKIII and 6D are not compatible. The 5X zoom range of wide to short telephoto—equivalent to 28-135mm on a full-frame camera—makes it ideal for general use and travel. Grace and I used this lens for ten years and it's still going strong!
Path | Lady Bird Johnson Grove | EOS 60D/EF-S 17-85 4.0-5.6 IS USM
This review consists of my opinions and observations as a hobbyist. No scientific measurements, MFT charts or pixel peeking comparisons will be found here.
Compatibility
The EF-S 17-85 4.0-5.6 IS USM lens works on APS-C (1.6X) Canon EOS DSLR cameras such as the Rebel SL3 and 90D. It will also work on EOS R and M series mirrorless cameras with a mount adapter.
Canon EF-s 17-85 4.0-5.6 IS USM | Photo courtesy Canon Inc.
This lens cannot be used on full frame Canon EOS DSLRs with an EF mount and non-Canon cameras such as Pentax, Nikon, Fuji, etc.
Construction
The EF-S 17-85 4.0-5.6 IS USM feels solid, sporting excellent fit and finish, sturdy plastics, metal mount and smooth moving parts. Cosmetics are unadulterated 1990s prosumer design ethos: textured matte black finish, gold ring and brushed metal accents. A handsome optic and a far cry from the stripped down travel mug inspired designs of today. While not a small lens, it’s light and compact considering the 5X zoom range. It balances well on a 60D, 70D or 80D, feeling nimble and agile in hand. On a small Rebel such as the SL1 it's a bit front heavy but should balance fine on larger Rebels, e.g., T5i and T6i.
Canon EF-s 17-85 4.0-5.6 IS USM | Mounted on an EOS SL1
Auto Focus
A USM Motor drives an internal lens group and the front element doesn't rotate or extend during focusing. Ring USM offers up blazing fast AF for AI Servo and single shot. Unfortunately, Ring USM is not well suited for Movie Servo enabled cameras such as the SL1 and 70D: video AF is jerky and picked up by built-in camera mics. For video, prefocus or use manual focus.
Manual focus (MF) is possible without switching out of AF mode: simply grip and turn. The focus ring is narrow and not ideal for pulls. Unlike many newer lens designs, a distance scale is included.
The zoom ring is large, covered with ribbed rubber, well damped and does not creep. Two nested barrels extend when racked out to 85mm.
God Beams | Lady Bird Johnson Grove | EOS 60D/EF-S 17-85 4.0-5.6 IS USM
Optical Quality
Our copy is tack sharp center frame (AFMA calibrated, of course) at all focal lengths and improves only slightly when stopped down. Corners are slightly softer than the center but is not an issue unless you pixel peek. The main weakness is strong chromatic aberration (CA) on the wide side: magenta fringing on high contrast edges such as tree branches against bright sky. Fortunately, CA is easy to edit out in DPP or Lightroom. As with most zooms of this range, barrel distortion is noticeable at 17mm.
Most sunsets show little flare, but a real eye burner may invoke ghosting. However, typical high contrast night scenes with street lights or interior lamps are normally immune from flare.
Image Stabilization
For me, IS adds about two stops below my normal hand held shutter speed at the wide end. At the telephoto side I can squeeze out three stops if careful.
Lens Hood
The Canon EW-73B is a bayonet lens hood designed to protect this lens from stray light, doggie noses and raindrops. It's not included and is available for 20 to 25 shekels. Fit and finish are excellent: quality plastic, matte black exterior and rayon flocking. The hood can be reverse mounted for compact storage.
To install, align the Canon logo at 9:00, press into the groove and twist clockwise a quarter turn until it clicks into place. Although it twists on easily, it feels snug once seated and locked. The lock prevents the hood from working loose due to rubbing or light whacks. To release, simply press the lock tab and turn counterclockwise.
Who Is This Lens For?
Why buy an EF-s 17-85 4.0-5.6 IS USM when newer designs such as the EF-s 18-135 3.5-5.6 IS USM, EF-s 15-85 3.5-5.6 IS USM and EF-s 17-55 2.8 IS USM are available? Price. The EF-s 17-85 4.0-5.6 IS USM is near the end of its product life and heavily discounted—about half of its original MAP. Plus, it's still a darn good optic!
To put the EF-s 17-85 4.0-5.6 IS USM in perspective, optical quality slightly trails the EF-s 15-85 3.5-5.6 IS USM and EF-s 17-55 2.8 IS USM and is similar to the latest EF-s 18-55 3.5-5.6 IS STM (very good). The former two lenses cost considerably more and are heavier. However, the 17-85 offers more zoom range and better build quality than the EF-s 18-55 3.5-5.6 IS STM but only costs an additional Benjamin.
Sun Wears Hat | Fort Bragg CA | EOS 60D/EF-S 17-85 4.0-5.6 IS USM
Final Blurb
Our EF-S 17-85 4.0-5.6 IS USM has been extremely dependable these past ten years, yielding sharp images in nearly any situation thrown at it. We love the petite size, zoom range, AF speed/smoothness and sharpness of this lens. Coupled with a Rebel or XXD series DSLR, it makes a versatile, nimble and lightweight travel combo.
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Specifications
Focal Length & Maximum Aperture: 17-85mm f/4.0–5.6
Lens Construction: 17 elements in 12 groups
Diagonal Angle of View: 74°20'-11°30'
Aperture Range: Wide f4.0 -22 | Long f5.6-32
Number of Aperture Blades: 6
Autofocus: Ring USM AF with full-time manual
Closest Focusing Distance: .35m
Maximum Magnification: .20x
Filter Size: 67mm diameter
Diameter x Length: 78.5 X 92mm
Weight: 475g
Optional Accessories: EW-73B
Sample Images
04/06/2016 | 01/04/2023 Revised
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©Copyright 2016-24 by Peter Kun Frary | All Rights Reserved
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