EF 40 2.8 STM
I've enjoyed shooting with pancake lenses on my Olympus Pen and wanted one for my EOS gear. The EF 40 2.8 STM--Canon's first DSLR pancake--debuted Summer 2012 and caused a stir due to low cost and reputed high optical quality. Here's my take on this able little optic.
EF 40 2.8 STM • Sharp and tiny (image courtesy Canon)
Downtown Honolulu EOS SL1 & EF 40 2.8 STM
Although a small lens, it feels solid in hand, boasting excellent build: metal mount, beefy plastic barrel and comely industrial satin finish.
I had heard STM AF was silent and silky smooth during movie servo and pulls. However, the EF 40 2.8 STM AF isn't silent but makes a soft electronic intonated "sheeeeet," resembling a sound effect from Tron. I suspect this sound is the mechanical linkage, not the motor, but built-in camera mics pick it up during video recording. The work around is to use an external mic, outboard audio or prefocus before the clip. Focus is slower than ring-USM but silky smooth.
The motor uses "focus-by-wire" manual focus. This means the focus ring isn't mechanically coupled to the lens, but is simply a switch for activating the focus motor. MF is smooth and accurate, albeit slow. The gotcha it's only active when the shutter button is half depressed. The nested barrel extends during focus operation.
Downtown Honolulu EOS SL1 & EF 40 2.8 STM
I use the EF 40 2.8 STM on a 6D, 5D MK II and SL1. AF is dependable on the 5D MKII and 6D, but randomly misses on the SL1 15-20% of the time, especially when refocusing on the same point in a subsequent photo. The EF-s 24 2.8 STM, a similar design to the EF 40 2.8 STM, also randomly misses AF on the SL1 albeit not as often. Other lenses focus fine on the SL1, even slow zooms like the EF-s 10-18 4.5-5.6 IS STM.
Wide open at F2.8 my first copy was sharp in the center of the frame but suffered with very soft corners on both full frame and APS-C. Corners improved when stopped down to F8 but were still unacceptably soft. Night images with points of light exhibited strong coma (comet-like tail) at F2.8. Stopping down reduced but didn't eliminate coma. If you look closely at the harbor picture below, coma is visible on most points of light, especially towards the edges.
Honolulu Harbor EOS Rebel SL1 & EF 40 2.8 STM
For the above reasons, I returned my first copy and bought a refurbished EF 40 2.8 STM directly from Canon. What a difference! Wide open, it was even sharper—deadly sharp—in the center. Corners were much improved but still a little soft on full frame. On APS-C the corners were almost as sharp as the center. And coma was greatly reduced: no coma center frame at F2.8 and only slight coma along the periphery. So second time around a home run!
Defocused areas (bokeh) have a pleasantly smooth swirl to them at F2.8, helping offset subjects from background. I find 40mm a natural snapshot FOV for full frame cameras like the 6D. The slightly wide view is perfect for landscapes and environmental portraits. Keep in mind, on APS-C cameras, e.g., 60D, 70D or Rebels, FOV is a 64mm equivalent, falling within the realm of short telephoto.
Sun Yat-Sen • Honolulu • EOS Rebel SL1 & EF 40 2.8 STM
Canon makes a dedicated hood for this lens, the ES-52 Lens Hood. It's just a 52mm aluminum filter ring around a disk with a hole in the center. It provides some shade but not much. The 40 2.8 is so popular there's a Chinese knockoff of the ES-62 available for a few bucks less: Rainbow Imaging HES52. If you want more protection, a generic screw-in type like the Rainbow Imaging HM52 Metal Lens Hood is better but will spoil the minimalist pancake vibe. I elected to use the ES-52, buying when the price drifted down to $18.
Canon ES-52 Lens Hood (image courtesy Canon)
1914 Fort Street • Honolulu EOS Rebel SL1 & EF 40 2.8 STM
Normally $150 doesn't buy much in terms of optics but the EF 40 2.8 STM is the exception to the rule. This lens is sturdy, renders beautiful images and is barely larger than a body cap. If you get a good copy, it's an excellent optic. A basic 6-element design and offshore manufacturing (Malaysian factory) helped reduce costs but compromises in quality control were obviously made to maintain this price point. Test your lens for sharpness and coma before the return period is up. I got a great sample the second try so it ended well after some chuck 'n jive with the man.
Finally, please help support this website by purchasing this lens at Amazon.
Downtown Honolulu EOS 6D & EF 40 2.8 STM
Focal Length: 40mm
Aperture: F2.8 to
6 elements in 4 groups
Distance: 0.98 ft./0.3m
Maximum Magnification: .17x
Angle of View (Diagonal): 57°30' (full frame)
No. of Diaphragm Blades: 7
Filter Size: 52mm
Length: 2.7 x 0.9 inch / 68.2 x 22.8mmWeight: 4.6oz / 130g
Accessories: lens caps
09/16/2014 • Edited 02/15/2016
2014-2017 by Peter Kun Frary All Rights